722
1.0

谋杀游戏

导演:
尹汉民
主演:
金泰贤,金佳蒽,尹汉民,朱宝英,南泰勋,Seo,Dong-bok,权南熙,Jang,Sun,金正碧,崔洪俊,Cho,Sung-jin,朴智勋,Nam,Sang-baek
别名:
未知
1.0
722人评分
韩语
语言
2017-11-23
上映时间
未知
片长
简介:
욕망은 인간을 다른 존재로 만든다  타인의 죽음과 등가교환을 한 성공, 당신의 선택은  소설에 나오는 살인게임 모티브로 저명한 심리학 교수가 살해당한 사건이 생겼다.  하지만 한 젊은 작가 한준은 눈앞의 성공을 위해 살인범을 은폐시키고 만다  이로 인해 소설의 원작자인 한준은 모방 범죄로 인해 미디어와 여론에 휩쓸려 인기를 얻게 되고 갑작스러운 성공으로 인생이 뒤바뀌게 된다.  한 달 뒤 한준에게 의문의 여인이 살해당한 사진과 함께 한준의 비밀을 알고 있다는 뉘앙스의 협박편지가 택배로 오게 되며, 이에 갈등에 빠진 한준은 그의 성공의 조력자인 젊은 여기자 정현과 함께 범인 추적 가운데서 사진 속 여인을 만나게 되는데...
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简介:PANIC BEATS begins with a totally nude woman with welts on her body, running through a misty forest full of decayed skeletons. A knight on horseback is chasing her, and we soon learn that he is Alaric de Marnac (a wicked character Naschy first created for HORROR RISES FROM THE TOMB), viciously killing her for her unfaithful ways. After the credits role, we are taken to the present where a descendent of Marnac named Paul (Naschy) is married to the wealthy Geneviève (Julia Saly) was has some serious heart problems. Paul decides to take her to his ancestral home in the country for some peace and quiet, but the superstitious-filled setting opens a Pandora’s Box of terrible occurrences.  We soon discover that Paul is a real son-of-a-bitch who plans to scare his wife to death, planning to control her fortune and continue his secret affair with seductive bad girl Mireille (Silvia Miró), who happens to be the niece of the tarot card-reading housekeeper, Mabile (Lola Gaos). Paul’s malevolent scheme works, but he still has to worry about an additional money-hungry mistress (this guy really gets around!), the unforgiving Mabile, as well as new fianceé Mireille who might be hiding a thing or two herself. More grisly murders follow, and the ghost of Marnac returns from hell to punish the most despicable human character in the film.  PANIC BEATS was also written by Naschy (under his real name Jacinto Molina) who injects the film with an old-fashioned spooky house motif, beefed up with a modern movie sense of violence and sexuality. The film offers nothing too innovative storywise, and even Naschy admits on the disc’s extras that it was partly inspired by GASLIGHT and REBECCA, but he seems to just toss in a hodgepodge of exploitation and horror ingredients, while delivering a stylish and enjoyable effort with a number of twists and some genuinely chilling moments. The camera shots and lighting are both effective, and there's even does a cool set-up (much like what Freddie Francis did in THE SKULL and THE CREEPING FLESH) where we see the point of view of Marnac through his dark helmet as he stalks his female prey. Graphically, we are exposed to everything from a plate of bloody eyeballs, to victims being beaten relentlessly with the various Medieval weapons affixed on the house’s walls (for example, someone is axed in the stomach, followed by the soaked entrails oozing out!). Naschy’s most frequent 1980s leading lady, Julia Saly, is not given much to do, but with her offbeat looks, is a nice presence nonetheless. The prominent female star here is Silvia Miró who is seen in the buff frequently, and she certainly makes for some well-appreciated Euro starlet eye candy. Naschy himself is very good in the film, putting on conniving facades, carrying a number of women on a string,
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