直到树枝弯曲

简介：

　　和丈夫的婚姻亮起了红灯，Michelle（梅艳芳饰）一个人到法国旅行散心。与旅行团中一个来自日本的女孩Miki（纯名里沙饰）产生了误会。不过二人很快就冰释前嫌，Miki对生病的Michelle照顾有佳，两人很快成为了无话不说的好朋友。
　　接触中Michelle了解到，Miki爱上了有妇之夫，作为情妇的她内心深处极为痛苦，Michelle只有尽力安慰。法国之行很快结束，但Michelle却不愿回到香港，独自在街头游荡的她又再次巧遇miki,二人于是再次结伴去摩洛哥旅行。
　　谁知就是这次旅行改变了二人的一生......

简介：

　　新狱警成结识原为律师的监犯康，并与康妹成爱侣，但副狱长垂涎康妹美色，康妹惨被强奸而自杀，加上副狱长凶残成性，引起监狱暴动，成与康不顾一切决杀仇人。

简介：

Desperate after losing her dream job in advertising, Alice starts a sexy webcam site with three friends. Successful from day one, the company expands so quickly that soon the women struggle to balance their relationships with family, friends, clients and one-another. What began as a quick and sexy way to earn some extra cash spirals out of control as they enter a world of dange...

简介：

　　故事发生在1943年，日军的屡屡侵犯打破了朝鲜国民的宁静生活，一时间硝烟四起，百姓们失去了赖以生存的家园，过着流离失所的悲苦生活。居昌郡的一个小小村落里，生活着名为正敏（姜荷娜 饰）的十四岁少女，正敏出生在一个平凡但恩爱的家庭中，从小到大都沐浴在父母慈祥的关爱之下。
　　战争的到来结束了正敏无忧无虑的生活，某日，日军占领了村庄，不由分说的将正敏掠走送上了开往日本的火车，和她同行的，都是一些和正敏差不多岁数的少女，每个人心中都惴惴不安，不知会有怎样的命运等待着她们。正敏和其他少女们沦为了日军发泄兽欲的对象，过着暗无天日的悲惨生活，然而正敏内心里有一个无比坚定的希望，那就是活下来，重返故乡。

简介：

一个修锁匠，拎着给刑警队修理好的手拷，历经千辛万苦，千里追寻过失致人死亡而畏罪潜逃的儿子投案自首，不但拯救了儿子的生命，同时也用自己的一只肾，挽救了另外一条年轻的生命。

简介：

　　卡西·阿弗莱克、山姆·克拉弗林、米歇尔·莫娜汉、维罗尼卡·费瑞尔将主演，克莉斯汀·杰弗斯([阳光清洗])执导的独立惊悚片[你的每一次呼吸](Every Breath You Take，暂译)。影片围绕一个精神科医生(阿弗莱克饰)展开，他的一位女性病人自杀后，其事业彻底陷入危机。当他邀请女病人的哥哥(克拉弗林饰)来到他家时，遇见了他的妻子(莫纳汉饰)和女儿，他的家庭却生活突然破裂了。影片即将于11月温哥华开机。

简介：

简介：

陆小凤（张智霖 饰）被西门吹雪（何润东 饰）一路追杀，原因是陆小凤染指西门的妻子。陆被刺中一剑后逃往幽灵山庄。幽灵山庄十分避世，世人无法找到。但是陆小凤一到幽灵山庄即染上血案，后得知那原是试探，陆小凤顺利被老刀把子收留成为幽灵山庄的一员。山庄内两姐妹叶灵和叶雪同时钟情陆小凤，陆小凤成为情感靶子，这时他意外发现叶氏姐妹十五年前失踪的父亲尚在人间，但他面对前来相认的叶雪却痛下毒手……老刀把子谋划已久的“天雷行动”即将开始，幽灵山庄全体成员被老刀把子兵分三路，向武当秘密进发，目标就是武当掌门人石雁头顶紫金冠里那本记录江湖人士隐秘的帐薄。　　不过，陆小凤却早已猜到老刀把子醉翁之意不在酒。

简介：Each night in Paris, hundreds of men and women anonymously use telephone lines that date from the German Occupation and are no longer listed to talk to each other, to love each other. These people, shipwrecked lovers, are dying to love, to escape the abyss of solitude...

简介：该剧设定在幕府为财政进行享保改革时期，有江户幕府“中兴之祖”、“暴坊将军”之称的德川第八代将军德川吉宗的时代，讲述作为他的精神支柱一直在背后默默支持他的侧室久免的人生故事。

简介：The history of Danish country church architecture is told by showing scenes of how the church was used by the congregation, beginning with the celebration of mass in a small and simple wooden church 800 years ago, and ending with the congregation singing in a village church of to-day. The development and the growth of the pattern of church architecture is shown.　　Dreyer in this film shows a series of churches from different periods with churchgoers in period clothing. Each period is separated by a shot of a church bell double-exposed on the sky. Although the film has a vibrant and instructive way of communicating the different epochs and styles to students, it does not exhibit the artistic quality that usually distinguishes a Dreyer film, except perhaps in some of the costumes, which were originally made for Day of Wrath.　　The board of Dansk Kulturfilm in autumn 1945 decided that their planned church film would exclusively be about village churches. Dreyer would rework the script that was written by editor and folk high-school principal Bernhard Jensen, aided by a committee of experts consisting of architect H. Lønborg-Jensen and Victor Hermansen, curator at the National Museum of Denmark. Dreyer had a first draft ready in mid-March, entitled Kirken er et gammelt Hus (The Church Is an Old House), which was distributed to the members of the committee for their comments.　　In the last half of July, Dreyer and Victor Hermansen travelled the country to look at suitable churches. They researched the details and at Dreyer’s request a number of technical changes were made to the churches, including the removal of porcelain holders for electrical wiring in Tveje Merløse Church.　　On 4 July, Dreyer went in advance to Ringkøbing. Shooting was set to start a few days later with the arrival of the director of photography, Preben Frank, who had fallen off a ladder and broken his leg, Fortunately, he was ready to cautiously start working again within a few days, with his leg in a cast.　　Otherwise, the production went without a glitch. Everywhere, Dreyer said, they were well received at the vicarages and they had no problem getting enough extras. On 1 august, they returned to Copenhagen with almost all their footage in the can. They only needed to film the church in Skelby, where the weather had been against them, plus a Swedish wooden church in Hedared. The economy was distressed so soon after the war, especially when it came to foreign currency, but there were no real wooden churches left in Denmark and building an interior set in the studio would be too expensive.　　The finished film was shown for the first time on 24 September 1947 to a small, closed circle, which included the Minister for Ecclesiastical Affairs. In December 1947, as was Dansk Kulturfilm’s standard practice, the film was presented to the press, politicians and others on a programme with four other short films.

简介：

讲述上世纪中期，一个被家庭疏远的女同性恋者通过错误地接受一个基督教家庭的信仰来争取一个归宿，但她发现自己迷恋着这个家庭的女儿…… 该片改编自错爱：艾莉丝?米歇尔奇案。